Ballet Luminary Matthew Ball on Grueling Parts and Social Media Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a plain tee. During performances, ballet dancers can appear as powerful deities, yet frequently offstage they are small. This is not true for Ball, whose height is one reason for his demand for heroic roles and partnering. With fine traits and piercing eyes, there's a touch of Robert Pattinson about him.

A Seamless Ascent to the Top

Now 31, Ball is experiencing the crest of a career that has progressed smoothly. Raised in Liverpool, he faced minimal teasing for his childhood passion in ballet. Joining the esteemed training institution at 11, he moved straight into the troupe and was promoted annually, reaching the top rank of lead dancer in 2018. He has relished taking on meaty dramatic roles, particularly the emotional turmoil found in Kenneth MacMillan's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming starring role is as himself, in an "In Conversation" series aiming to offer behind-the-scenes insights into a dancer's art. He will walk the crowd through a part, showing his mental process during performance. Yet in lighter ballets, the test is significant. "Don Quixote is one of the most demanding technically," he notes.

The Mental Game and After the Show Emotions

What about after a show, when he has succeeded? "It's pretty good," he says. "But because I'm trying to squeeze all the emotion out of it, and get lost in the role, quite often I do feel embarrassed afterwards. Following an intense role I'm always thinking: God, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. But a choreographer once observed on a "sense of suffering in him." Does this exist? "I'm quite energetic in general, but I do have a melancholy streak," he reveals. "I kind of enjoy negativity sometimes. I've always felt that doubt has been an instigator for good change."

Early Drivers and Creative Inspirations

Ball's determination originated in early setbacks. Not excelling in competitions at school made him "driven!" This became motivation to prove he could succeed. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with meaning, drawing inspiration from books, compositions, and painting.

Close-Up Dance and Personal Dynamic

He also is interested in staging dance in smaller venues. "It was just really exciting," he says of a past show. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple are not typically paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite supporter."

Regarding Instagram and Bodily Perception

On social media, fans can see clips from his projects and images that highlight a sculpted form. Does he care that the engagement can be somewhat objectifying? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he states. He relates it to viewing Michelangelo’s David—an object that can be seen on multiple levels.

Ball describes his younger self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate reality to the dreams you made as a child," he muses. He probably has another decade of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

John Medina
John Medina

A London-based cultural critic with a passion for uncovering emerging trends in arts and entertainment.

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